Building a Home for Brazilian Funk in Japan
Essential Releases, March 20, 2026
Dagmar Zuniga, “in filth your mystery is kingdom / far smile peasant in yellow music”
The Long, Joyous Tradition of Cajun and Creole Accordion Music
God Knows and MuRli: Ireland’s Hip-Hop Gamechangers
Crouch, “Breaking the Catatonic State”
Chicha Forever: The Evolution of Peruvian Cumbia
Xylitol, “Blumenfantasie”
The Ictus Ensemble Chart Classical Music’s Next Frontier
Duncecap & Samurai Banana, “Comfortably Suffering”
Cut Worms, “Transmitter”
Clover Records Is An Indie Pop Good-Luck Charm
Excavating the Pacific Northwest’s Art Rap Underground
Rapping with Kim Gordon
Essential Releases, March 13, 2026
Ora Cogan, “Hard Hearted Woman”
Underground Medicine #2
“Facts Aren’t Always Facts”: A Guide to Craven Faults
Mary Ocher, “Weimar”
ELUCID On The Chemistry That Powered His New Album
Bill Orcutt, “Music in Continuous Motion”
David Garland Picks His Bandcamp Favorites
Upset The Rhythm is One Big, Weird, Wonderful Family
The Notwist, “News from Planet Zombie”
Fugazi, “Albini Sessions”
The Best Country Music on Bandcamp, February 2026
The Best Ambient Music on Bandcamp, February 2026
The Best Contemporary Classical Music on Bandcamp, February 2026
Various Artists, “HELP(2)”
Essential Releases, March 6th, 2026
The Best Latin Music on Bandcamp. February 2026
The Tape Label Report, February 2026
The Best Jazz on Bandcamp, February 2026
Shabaka, “Of The Earth”
The Best Metal on Bandcamp, February 2026
NIMF, “Sirenoscape”
The Best Electronic Music on Bandcamp, February 2026
The Best Experimental Music on Bandcamp, February 2026
The Best Punk on Bandcamp, February 2026
Cryptic Shift, “Overspace & Supertime”